A Philadelphia building mural by artist Michelle Angela-Ortiz, painted in a tribute to “LGBTQ activist and Latinx community icon Gloria Casarez,” Philadelphia’s first director of LGBT affairs, was painted over on the “former site of the 12th Street Gym in the Gayborhood.”

Why? The building had been sold to Midwood Investment and Development, a developer from New York City, which planned to build a 30-story housing complex. The new owners planned to demolish the building. Painting over the mural cost the developer money, but would spare the local “gayborhood” from seeing the mural being visibly knocked down.

And now, it’s an act of violence!

Whitewashing Gloria Casarez mural is a violent act against Philly’s LGBTQ community | Opinion

By David Acosta | December 24, 2020 | 12:41 PM EST

On Wednesday, Midwood Properties, a New York-based real estate developer who bought the property which used to house the 12th Street Gym, whitewashed the Gloria Cazares mural before demolition was set to start to make way for a 30-story housing complex. The act was not only deliberate, but it was also done in bad faith without consulting either the artist who created the mural, Michelle Angela Ortiz, or Mural arts.

For months, a group of us — including friends of Gloria; Gloria’s wife, Tricia Dressel; the artist; Mural Arts and concerned neighbors who opposed the project — had been working with Midwood Properties to try and preserve the mural and if not salvageable, to create a new project that honored Gloria’s legacy as well as the legacy of the Black abolitionist Henry Minton who lived on the property and was part of the underground railroad. It is believed that the property still contains tunnels used at the time, a fact that should be investigated so that the property can be designated as historically significant and so as to prevent its impending demolition.

The erasure of the mural feels particularly painful as it was the only mural depicting a Latinx LGBTQ woman of color in a city with 3,600 murals to date and counting. The mural’s position in the heart of the Gayborhood was also significant to the LGBTQ community who see the neighborhood as an important location with historical ties to business, and community-based organizations, and as a place where the LGBTQ community has for decades celebrated not only our community festivals but also some of our most important civil rights achievements.

There’s more at the original, including all sorts of tropes of the #woke:

The optics of literally painting over the mural with white paint is not lost on those of us whose lives oftentimes feel invisible because of the color of our skin, our economic conditions, our sexual orientation and our stories as immigrants.

It was difficult to keep from laughing at all of that. The building was scheduled to be torn down! If the “Gayborhood” wanted the mural saved, they should have gotten the money together and bought the building themselves, before it was sold to a developer.

In what has already been a difficult year for so many, the destruction of the mural is a violent act against all of us who saw our lives and our work represented on that wall.

A “violent act,” huh? The City of Brotherly Love has seen 486 people killed in the streets; that’s violence! But the “Gayborhood” is worried that someone painted over a mural that was going to be destroyed anyway. When the “Gayborhood” gets together to try to work at stopping the slaughter of primarily heterosexual, young black males in Philly, I’ll start to be impressed with their abhorrence of violence.

I have to admit it: when I see the name “Gayborhood,” and realize that the old 12^th Street Gym catered primarily, though not exclusively, to homosexuals, and that a 30-story housing complex will be built there, I have to wonder just how much of this is a concern that the population required to support a housing complex of that size will change the complexion of the area. Once the complex is built, there will be a lot of normal people moving in. Being in Center City, they’re likely to be mostly white and mostly liberal, and unlikely to be ill-disposed to homosexuals, but they will still be primarily heterosexual.

If a neighborhood tried to preserve its character by exerting political pressure to stay primarily white, it would be denounced as shockingly racist. Yet, when depressed, minority neighborhoods try to fight ‘gentrification,’ which involves primarily white, well-to-do individuals buying and fixing up run down properties, no, that isn’t racist at all. And if a ‘gayborhood’ is trying to preserve a primarily homosexual culture in their area, is that somehow illegally discriminatory?

The gym closed almost three years ago, because “the gym would have had to pay at least $500,000 to address fire-code violations found by the Department of Licenses and Inspections. He also said real estate taxes on the property have surged in recent years.” I have to wonder: how much degradation did a building vacant and (probably) unheated for almost three years suffer? Had it been broken into and seen homeless squatters camped out inside? It couldn’t be pretty.

The local patrons thought that a liberal government might save it:

.@Krasner4DA @Michael_Nutter can y'all do anything about the 12th street gym closing? It's an institution. It's an LGBT-inclusive space and benefits the whole city. Love the people there and have seen you guys once or twice. It's a real loss.

— #PhillyHousingNow (@Lb_Sterling) January 8, 2018

But, of course, politics doesn’t somehow erase half a million dollars, or more, of fire code violations. Every commercial building in Philadelphia is subject to those kinds of inspections; do the “LGBTQ community” somehow think that their favorite places should somehow be exempt?

Every community is, and ought to be, subject to the same rules, the same laws, and the same economic laws. There ought not to be some special considerations for one particular group, due to race or sexual orientation or sex, that somehow overcome local building codes or economic problems. And if a mural gets painted over because the building got sold, well, too bad, so sad, but that’s life.